Category: concept based learning

#PYP: What is a Successful Programme of Inquiry?

#PYP: What is a Successful Programme of Inquiry?

By | | Comments 2 comments

This question was recently posed to me and I believe it plagues many curriculum leaders so I am going to address it in this post.

In my opinion, the Written Curriculum is the driving force behind dynamic teaching and learning. So, a successful Programme Of Inquiry has to be viewed through the big picture of the school’s context and the more microscopic lens of the grade level. [bctt tweet=”Teachers engaging and challenging central ideas are vital and we need more single-subject teachers voices to be heard in order to have a more transdisciplinary programme of inquiry.” username=”judyimamudeen”]

However, it’s a process and it’s ongoing. Yet, I’ve tried to summarize some essential practices when determining how close a school is to achieve a “perfect” POI: Coherence and Learning Power. 

Macroscopic: How Do We Develop a Coherent Programme of Inquiry?

Most of the “big stuff” is answered in the PYP document, Developing a transdisciplinary programme of inquiry such as examining the vertical and horizontal alignment of concepts and subject-areas, as well as closely looking at the language of the central ideas so that they are not value-laden and provide for multiple perspectives.   This is the go-to document!

Transdisciplinary-themes

Just a few more thoughts on some minutia for curriculum leaders to consider…

  • The “coverage” of the transdisciplinary theme indicators. For example, looking the Sharing the Planet theme, at what year level are they inquiring into ‘rights and responsibilities”, “the struggle to share finite resources with other people”, “access to equal opportunity”, and “peace and conflict resolution”? By the way, these indicators are NOT in any sequential order so the central ideas that are created around these would reflect the developmental appropriateness of the students.
  • The “coverage” of Key Concepts within a theme. For example, as you look vertically at whole school POI, does your school’s  How the World Works units only examine this theme through the Key Concepts of Form, Function, Causation, Connection, and Change–are you lacking Responsibility or Perspective or Reflection? Cross-check for this. This same examination could also be applied to the Learner Profile and Attitudes.
  • The “coverage” of the subject level strands. For example, what science strands are you missing?–do you have biological sciences, chemical sciences, earth and space sciences, forces and motion and scientific thinking and skills? What about your arts?- what is the balance between creating and responding units? How about “coverage” of social studies?-do you have organizational systems and economics, geography, development and movement of cultures, personal identity, and civic responsibility, and technology and innovation?
  • How does mathematics fit into you POI? Are there opportunities to apply mathematical thinking and skills into the UOI so that it can be naturally embedded and transdisciplinary? What needs to become “stand alone”?–explore data such as standardized testing may help to articulate the needs of your programme.
  • How can we connect dots? What units in the early grades support inquiries in the upper grades. For example, you can’t have an entrepreneurship unit in Grade 3 if they haven’t been exposed to the basic concepts of money and economics in Grade 2 or Grade 1. Or an ecosystem unit in Grade 4 if they haven’t learned about habits and cycles.  What are the prerequisite concepts that students need to explore before doing more active or abstract concepts?
  • Do you need to map the TD Skills/ATLs? You don’t want kids to come to Grade 5 and be in shock when they do their Exhibition. We should be thinking about how to develop research, self-management and communication skills, in particular so that students can become life-long learners.

Microscopic: 6 Questions to determine the Learning Power with Grade Level UOIs

  1. By Whom?-Teacher have excitement and interest: Has teacher friendly central ideas that are broad enough but not too ambiguous so that teachers know how to launch the inquiry and plan provocations.  I personally find that using related concepts in central ideas really help to create focus and address this challenge and is recommended in the Developing a transdisciplinary programme of inquiry guide.
  2. For Whom?-Students need to “Get It”: UOIs should be some “mystery”–students should understand what they are learning about. So it has to have student-friendly language in a Unit Of Inquiry to decrease the “unpacking” of the language of a central idea. The language used in a central idea should develop a deeper understanding of a concept but not be full of so much adult-speak and gobbly-gook that kids can’t access the intention of the learning. The “big words” should be the related concepts that you are exploring.
  3. What?-Go Deep Over Wide: Too much knowledge to develop in a unit of inquiry? Going deep rather than wide is an important feature of a unit. If you have to spend a lot of time “teaching” the unit’s content knowledge, then you either have to disperse the knowledge into weaker units which you can strengthen with building knowledge and skill, or you have to prioritize and streamline.
  4. When?-The Sequence Matters: There are lots of approaches to this, so looking at your school calenadar will help you reflect on when certain units work best. But, my general rule would be to place the easiest conceptual units in the first term and the very hardest unit in the 2nd to the last unit is an important consideration.  (The last unit always gets side-swiped with school-wide benchmarking and celebrations, etc.., so it usually gets cut short hence the suggestion here.)
  5. How?-The Process of Learning Matters: Units that dovetail into one another really help build upon the conceptual understandings of one another and there is a seamless segue of learning. Perhaps units could even be combined because the importance of ideas overlaps and compliment each other. I usually pick a general concept that acts as the uniting theme for a year level. For example, in our current POI revision, Grade 1 units are linked together through the conceptual lens of Relationships:
    • Who We Are:  Our choices and actions as individuals define who we become as a community.
    • How We Express Ourselves: The language we use can communicate messages and develop relationships.
    • How the World Works: Understanding sound and light can transform experience.
    • Sharing the Planet: The cycle of the earth impacts living things.
    • Where We are In Place and Time: Homes reflect cultural influences and local conditions.
    • How We Organize Ourselves: The needs and wants of a community determines how it’s organized                                                             *Hopefully, you can see that there is an intention that the central ideas show a congruence to the year group’s conceptual thread of RELATIONSHIPs in the inquiry.   In this case, I am asking What is the relationship that we are exploring in this theme? 
  7. Why? Student Engagement Matters: The units must be meaningful and create “sparks” of curiosity and student action. If the teacher has to drive the inquiry in order to pull it off, then it has to be scrapped and rewritten. Period. End of discussion.

These are just broad strokes of ideas, but it would wonderful if others could chime in with their suggestions and considerations.

One more thing that I’d like to add is that in schools that have the MYP and DP, I believe we need to extend these conversations beyond our PYP staff and try to develop improved articulation of our school’s programs. Backwards planning from the DP is one way to approach this but I have yet to have this experience.

I’m curious what ideas am I missing here? Can you think of other examples of evaluating the POI that has made it more impactful?

#IMMOOC: Where We Are in Place and Time- Student Agency and Models of Inquiry in a #PYP Unit of Inquiry

#IMMOOC: Where We Are in Place and Time- Student Agency and Models of Inquiry in a #PYP Unit of Inquiry

By | | Comments 0 Comment

I am stuck on the question from the #EmpowerBook: What Decisions Am I Making For Students That They Could Make For Themselves? And I am staring at this image inspired by the book Dive Into Inquiry, wondering what part of the pool are we swimming in at this part of the unit of inquiry:diveintoinquiry

When I am thinking about the type a structured inquiry approach, the learning landscape could look like the 5E Model which is helpful for designing a teacher directed lesson. While controlled inquiry might look more like the Big 6 Research Model or guided inquiry might be experienced through a provocation or series of provocations using a model like Kath Murdoch’s.While free inquiry can happen more readily through a learning landscape like Genius Hour. Of course, the nuances of these types of inquiry has more to do with how much time and space you give to students while they are engaged in the learning. Even if you don’t connect with a model, per se, I think if you are pushing the inquiry along, you probably recognize instinctively that you are in the shallower end, while if you are providing more freedom for exploration, then you heading towards the deep end. And of course, student choice and voice play a big role in this. Not enough choice creates a passive stance, while too much choice can create overwhelm and inertia in learning, depending upon how confident a student is in their ability to discover and learn on their own.

From my experience with an inquiry, I feel that there are different parts of the pool that we are swimming in at different times of an inquiry. It’s never a linear path or clear model in play because, in the PYP, each line of inquiry is a microcosm of inquiry of itself–and sometimes we need to really do handholding and scaffolding because we are developing some new and challenging concepts; other times, the kids can be absolutely independent and divergent in their explorations because they feel confident in their knowledge and skills to do so.

For example, look at our current unit from Where We Are In Place and Time:

Homes reflect cultural influences and local conditions.

  • what makes a home
  • how homes reflect local culture and family values
  • factors which determine where people live

Developing the key concept of perspective through the line of inquiry of “what makes a home”, was tightly related to the key concept of connection in the line of inquiry of “how homes reflect local culture and family values”.  So we used guided inquiry with the hopes of revealing and developing these abstract ideas using a transdisciplinary approach with theatre, art, and language –because these disciplines open us up to a variety of points of views and creative self-expression.

Teacher-Question: What are 3 items that are in your home that are important to your family?: A student’s response: “an iPad to play games, a water bottle because we like to share and drink water, and my teddy bear for when I get scared.”
“Show and Tell”: Students came up with the idea to bring in items from home that reflected family values. They have brought in everything from legos, to necklaces, to family photos. And, both students and teachers, ask questions to reveal what is the significance of these things to the child and their family. 

 

What you see here are the early stages in which we are “tuning in” and “finding out” how our values and culture can be represented in different ways. We also have brought in the idea of “home” as our bodies as we consider what is going on in our brains and hearts, through mindfulness lessons.

We invited parents to come in a share a traditional folktale and read it in their home language. We had about 11 stories shared, from nearly all the continents, Students then had to deconstruct the messages or lessons in the story to determine a value from that culture.

 

Now as we come into the final weeks of inquiry, the sieve begins to tighten, as we move into our summative task: designing a home that reflects their family’s needs, culture, and values (from the line of inquiry: “factors which determine where people live”).  We want the students to create the same product, a model home.  Even though we intend to use design thinking, our inquiry is heading toward the more shallow part of the pool because this means, that we must provide a significant amount of resources and guidance to ensure their success. Although they are free to create their home in any style they choose, they must all be doing the same project, following the same timeline, and adhering to the same criteria.

So does this mean that we are stealing their agency by structuring the inquiry in such a way that drives them toward the home design? Honestly, I’m not really sure yet. My belief is that it isn’t because they are so incredibly inspired and excited to do this project, but at the same time, I hear John Spencer’s voice in my head:

What Decisions Am I Making For Students That They Could Make For Themselves?

Did we steal their agency when we gave them a pre-determined task? I mean they could have painted a picture or written a song as examples of other ways to demonstrate their understanding, right?  But in my teacher’s brain, I think they could add those elements to their home design that doesn’t detract from their self-expression.

So as I reflect on this question, I realize that I have to do my best to not micro-manage their creative process and I allow them to “own the learning”. This might mean that they might fail in some way. And it could be likely that this means collapsing elements of our timetable to allow them to complete the project to their satisfaction.

Inquiry-based learning isn’t always a clean and efficient process-no matter what model you use- but I believe that when we provide students with authentic and meaningful experiences, their agency will naturally ensue.

So it’s safe to say that my reflection on the unit and its ability to spark agency is “To Be Continued” (:

 

#Inquiry: Transforming Learning Objectives and Intentions.

#Inquiry: Transforming Learning Objectives and Intentions.

By | | Comments 0 Comment

I had an Aha-Moment this week and I am bursting to share it! You see I grew up and was trained in the American school system so most of my pedagogical schema is steeped in a Standards-Based Approach to teaching and learning. Lessons must have learning objectives, which usually are framed around the State’s curriculum or nowadays there is the Common Core. When I write or state the objective on the board, there is a magnetic pull that drives the learning towards meeting that goal. I get tunnel vision and achieving this standard becomes a primary focus, if not for the day, then for the week. But can we still attain the skills and knowledge in the curriculum without letting the learning intention be the end-all/be-all in our lessons?

Let me just set the stage for my lightbulb moment:

One of my colleagues had said earlier this year that she feels like when you do inquiry it seems like you have to always make the students guess what they are learning about. It’s as if learning intention is a mystery. And so herein lies the challenge with inquiry-based learning when it meets the standards-based curriculum training. Is there a happy medium? And I think I found the answer and the answer is YES!

img_6805-1
Compliments of the wonderful teachers at VIS, Mr. David, and Mr. John!

Did you catch that? In the example above, they just open up the lesson  with a question and it naturally covered standards that would be typically on the board or stated as you tell your students what they would be learning about in that 4th-grade lesson:

  • Use the four operations with whole numbers to solve problems. (Common Core)
  • 4.1.2.1.f checking reasonableness of answers. ( Singapore Mathematics Syllabi)
  • Know multiplication and division facts for the 2× to 10× tables (Cambridge)

If you’re a PYP teacher then we are always packing our unit planners with “teacher questions”.  I already was well aware that questions are vital for inquiry teaching and learning. But it never occurred to me that I could or should turn the learning intention/objective into a question. It totally changes the dynamic of the lesson, in which a clear path of learning is set yet there is still enough space for curiosity and divergent thinking.

So I’m going to start transforming my WALT (W.hat we A.re L.earning T.oday) into questions so that students have a goal and purpose for learning. And then I’d like to end with a student reflection: Did we answer the question? Why or why not?

I think when we shift from Telling To Asking, we start moving away from didactic approaches and move into curiosity and student agency. I’m going to test out this tweak and I invite others to do the same so that more student interest and inquiry can be sparked.

#PYP: What is a Provocation?

#PYP: What is a Provocation?

By | | Comments 2 comments

I love the International Baccalaureate but the jargon really can get you jumbled up, especially when you are new to the program. In the PYP, we use a lot of terminologies that others would just call “best practice”.  However, there is a word that pops up quite a lot: provocation.

Now someone might call it the “hook”, something that draws student’s attention into a lesson. But when I say “hook”, I don’t mean an attention grabber like a joke or cute anecdote or a routine of some sort that gets students on task. No, that’s not a provocation!   A provocation is a thoughtfully constructed activity to get students excited and engaged, but a really powerful provocation creates cognitive dissonance that throws kids into the Learning Pit (of inquiry).  Students should be examining their beliefs and ideas as a result of the provocation.

Here is a list of questions that were shared by Chad Walsh which can help filter activities and perhaps refine them in order to transform them into provocations:

  • Is the provocation likely to leave a lasting impression?
  • Is there a degree of complexity?
  • Might the provocation invite debate?
  • Might the provocation begin a conversation?
  • Might the provocation extend thinking?
  • Might the provocation reveal prior knowledge?
  • Is the provocation likely to uncover misconceptions?
  • Does the provocation transfer the ‘energy’ in the room from the teacher to the students?
  • Does the provocation have multiple entry points?
  • Can the provocation be revisited throughout the unit?
  • Might the provocation lead learners into a zone of confusion and discomfort?
  • Does the provocation relate to real life/their world?
  • Is the provocation inconspicuous and a little mysterious?
  • Might the provocation lead learners to broader concepts that tend to carry more relevance and universalitMight the provocation be best during the inquiry, rather than at the beginning?
  • Does this provocation elicit feelings?

That is a very extensive list, isn’t it?

Well, let me share a  few examples of provocations:

How We Organize Itself, The Central Idea: Governments make decisions that impact the broader community.

Students come to class that morning and are treated according to the government system that is being highlighted. (Example, Totalitarian) This goes on for a week and each day students have to reflect on what it was like to be a citizen of this type of government.

Where We Are In Place and Time, The Central Idea: Personal histories help us to reflect on who we are and where we’ve come from.

The “mystery box” (which I think originated from the work of Kath Murdoch): inside a box (or a suitcase, in this example) there is a bunch of seemingly unrelated items that students have to guess what the unit might be about. This is a “tuning in” activity. And since this is a central idea about personal histories, it might include a family photo, an old toy, some cultural artifacts or relics of things we enjoy doing, a clock, a map.

Math Stand Alone, The Central Idea: Mathematical problems can be solved in a variety of ways 

The  “sealed solution“: there are 5 envelopes that have the sum of two numbers “sealed” inside them. Students have to use the digits 0-9 only once to create those sums. What could be the sums inside?

Hopefully, this is helping you to discern what a provocation might be. Even if you are an experienced PYP teacher, reflecting and refining our provocations is something that is critical to developing our student’s learning and sparking curiosity.  A well-designed provocation will not only make it to the family dinner table conversation that night but will have a longer shelf life in a child’s mind and ultimately develops important conceptual understandings.

What have been some of your favorite provocations? What questions or engagements have led to deeper learning? Please share in the comments below so we can all benefit from your experience! (Thanks!)

#PYP The Sound and Light of Using Design Thinking To Write a Unit of Inquiry

#PYP The Sound and Light of Using Design Thinking To Write a Unit of Inquiry

By | | Comments 2 comments

I’ve opened a can of worms. After our last Sharing the Planet unit, I felt exasperated and wanted to shift some units around so we could develop more conceptual understandings in science. We have 3 units left since it’s the end of the term, so the choices were: Where We Are in Place and Time, How We Express Ourselves, and How The World Works. We thought that How The World Works would be the best fit for meeting those goals. The Central Idea was: Thinking scientifically helps us to make sense of the world. A lively debate ensued between my co-teaching partner and I–is this the unit that students need?? What other options might we have? So we decided to dig up “old units” to evaluate what was “best fit” for our students–the old vs. the “new” UOI. This didn’t feel very satisfying either. We had to write a new unit.

 

ben franklinSince we had a planning retreat we started wordsmithing some new central ideas so we could “get down to business” when our team is all together but then I experienced a perfect storm of inspiration after reading “Agency” and the UOI and Being a PYP Teacher: Collaborate with Your Students.These perspectives got me thinking that I really need to ignite student interest by tuning into what scientific concepts fascinate them and putting them at the forefront of our planning of this upcoming unit.   I find that design thinking is a creative and effective way to problem solve, so I thought I would take the opportunity to apply this process to crafting a Central Idea because student interest would take center stage naturally.

So even before we had our planning retreat, I created a poll using Plickers to have students express what their level of curiosity around 5 scientific concepts that would be new to students and are developmentally appropriate:

  1. The purpose of physical structures of animals and plants (adaption).
  2. The properties of materials and states of matter.
  3. Growth and care of living things.
  4. Natural Cycles of the Earth and Weather.
  5. Light and Sound Energy.

We discussed what each one of these “big ideas” might entail as we explored it during a unit of inquiry. Students made comments and asked questions about what sort of things we’d be learning about. After the poll, the students had to put these concepts into a list of learning priorities that I represented visually, just to make sure I captured their interests accurately.

 

learning priorities
The English language learner-friendly rating system

 

design slideI was very surprised that light and sound came in first place with 12 students indicating it as their first choice, with materials and matter coming in 2nd with 8 students picking it as their main interest.  Armed with these results, I felt confident enough that this basic knowledge of our 1st graders was enough to begin using Design Thinking to draft a unit. Although there are different approaches to Design Thinking, I decided to go with the d.school’s model.

Empathize: We began with thinking about how we perceive our students and discussing what we know about them as learners.  I shared the survey results and we considered how this unit could develop scientific thinking and experimentation.

Define: Then we began discussing the challenge of writing a transdisciplinary unit around light and sound that complemented a nearly equal student interest in materials and matter. This landed conversation us smack dab

Ideation: There are different ways to ideate but I chose to explore ‘prototyping’ as our framework for creating a unit of inquiry. We worked on our own and then collectively to come up with a “prototype” of what this unit could inquire into. Because we hadn’t designated a transdisciplinary theme indicator (ie: the natural world and its laws; the interaction between the natural world (physical and biological) and human societies; how humans use their understanding of scientific principles; the impact of scientific and technological advances on society and on the environment.), this broadened our swath of possibility.

“Ideation is the mode of the design process in which you concentrate on idea generation. Mentally it represents a process of “going wide” in terms of concepts and outcomes. Ideation provides both the fuel and also the source material for building prototypes and getting innovative solutions into the hands of your users.”
– d.school, An Introduction to Design Thinking PROCESS GUIDE

As we explored related concepts in various domains, we collated what could be “driving” transdisciplinary ideas in a How the World Works unit in order to “build” a central idea around. What emerged from the ideation process was the conceptual understandings of :

  1. transformation
  2. energy
  3. data
  4. communication
  5. process
  6. classification
  7. movement
  8. diversity
  9. discovery
  10. behavior
  11. properties

Prototype: After deliberating and scribbling out all the perspectives that could make this a powerful learning experience, we settled on the central idea:

Understanding energy helps us predict behavior and can lead to new discoveries. 

  • Types of energy (Form)
  • Transformation of energy (Change)
  • Ways of knowing (Reflection)

Energy=science (light and sound)

Predict= math/science skills

Behavior=PSPE (personal social and physical education)

Discovery=Social Studies

We started digging into the curriculum documents, thinking that we had “nailed it”. But one of our team members sort of sat there blankly as we started choosing the conceptual understandings and learning outcomes. Our PYP coordinator said, “now aren’t you excited to teach this?” And she clearly articulated that she had no idea what this unit was about, which stung a bit because we had sat there discussing ideas for so long. Then she added that the “kids wanted to learn about sound and light and do experiments and we’ve written a unit about energy”.  We’d spent an hour on writing this so there was justification–“light and sound are forms of energy” in which she retorted, “But if I am a teacher who hadn’t been involved in this planning, I would have no idea how I might approach this.” She was right. She was right on both accounts. We had designed a prototype which hadn’t met the needs of the “users”–the students AND the teachers.  She echoed a feeling I’ve written about before in Central Ideas: The Good, The Bad and The Messy. How the Primary Years Program Can Rethink and Define Them. We’d been too clever, too adult and created something close to gobbly gook. We needed to go back to developing a central idea based on honoring the students’ curiosities.

After our meeting, we homeroom teachers continued this discussion and spent an hour debating if “sound and light” were topics vs. concepts. (Good lord, you know you’re a PYP teacher when you care so much about nuances.), examining curriculum documents.  We created a refined version that would require less “unpacking”:

Exploring how light and sound works can lead to discoveries and open up new possibilities.

  • Light and sound as forms of energy (form)
  • Transformation of energy (change)
  • The use scientific thinking in everyday life. (reflection)

Because I have never considered so thoughtfully the interests of our students, it is hard to say if this central idea meets the prototype criteria from d.school’s Design Thinking PROCESS GUIDE:

  • the most likely to delight
  • the rational choice
  • the most unexpected

Nevertheless, I am going to push these versions of the UOI through to the students and move onto the next step of the process.

Test: On Monday, we will present both prototypes of the unit to the students and observe their reactions and collect their responses. Hopefully, this will provide greater clarity of how this unit could be shaped. I reckon that we will continue to refine this unit and engage in more pedagogical conversations.

So, this is what might be considered “first thinking” when it comes to “designing” a unit vs. “writing” a unit of inquiry. I feel very grateful to be a school that allows us to challenge how we approach our curriculum. Sometimes people in leadership can be more focused on efficiency vs. innovation in planning and implementation of our curriculum, desiring to tick off boxes rather than dig deep into what and, more importantly, WHO we teach.

“To create meaningful innovations, you need to know your users and care about their lives.” , d.school’s Design Thinking PROCESS GUIDE

There is an award-winning designer, Onur Cobanli, who says that “great design comes from interaction, conflict, argument, competition, and debate”.  As a team, we are definitely in the throes of some of this. But I’m wondering if anyone has any suggestions or comments that might help enhance our approach.

Designing a Classroom of Writers: An Inquiry-Based Approach To Writer’s Workshop

Designing a Classroom of Writers: An Inquiry-Based Approach To Writer’s Workshop

By | | Comments 0 Comment

I have a desire to be the teacher that I always wish I had and to have a classroom whose energy and enthusiasm for learning is palpable. I don’t care if my students remember me when they are older but I certainly wish that who they became as writers might be because of me.

This week was the first full week of school and like many classrooms, the early days of learning are full of cultivating our learning culture and assessing children. However, since we are a PYP (Primary Years Programme) school, we are also trying to determine what they know about our central idea Our choices and actions as individuals define who we become as a community while looking through our lines of inquiry:

  • Ourselves as learners (reflection)
  • How our mindset impacts our behavior (change)

So this week, as we inquired why people write, students examined old exemplars of writing. And when I say old, I mean REALLY old, as in ancient, such as these.

ancient

We did the See, Think, Wonder Visible Thinking routine, and the students came up with lots of wonderful ideas like “words are like codes that have secret messages”, “old humans had different things that they wrote about”, “writing looks different today”. Then their questions began to emerge, with the most poignant being  “what message do they want to tell us”. From there, we decided to create a “message” about something that is important to them. They could write about anything, which would help me assess a bit into the line of inquiry-who we are as learners, and most importantly, who we are as writers. What ideas do they have? Would they use pictures AND words to express their ideas? What words would they use?

So with no other prompt, they began to “write”. All of them drew pictures, none of them wrote words beyond their name on top of the paper. I thought this was very interesting and it was great data. At that point, I decided to stop the class, and have them share their pictures with a buddy. While they partnered up, the partner who drew the picture was silent while the other described what they thought the picture was about. Then they switched roles. When we did a whole group reflection, the students began to articulate what they needed to add to their picture so that its message was clearer: more details in the picture, more color, and add WORDS! Then they set off to work on their writing and the words started to come onto the page naturally. This showed me that they were beginning to understand the purpose of words in our writing and motivated them to use labels and captions.

During our next lesson, students explored books with the learning intention of determining what the author was trying to tell us–what was their message. When the students came back and shared, the purpose of writing began to come into focus: to entertain or to inform us about a certain topic. Then I gave them back their original sample of writing, I asked them if they were “done” with this idea of if they needed more paper to explain what happened before and after the page that I had in my hand. All of them agreed that they had more work to do, and within 30 minutes, their books began to emerge. Students ideas for book making began to spill out and they started to think about their purpose of writing: “When I am done with this book, I want to write about mermaids”, “Next time Batman is going to fight another bad guy.”, “I want to do a different kind of I-Spy book”.  Later students asked when it was writing time and if they could take their books out on break so they could share them with a friend. But my happiest moment of this week came when a student who felt overwhelmed and exasperated about reading came to me and asked if he could do more writing during our classroom ‘personal inquiry time”. I couldn’t help but beam with my joy–Yes!, I thought, they will become genuine writers!

I firmly believe that when students get the “why” of writing and the “how” will come naturally because they are motivated to do the heavy lifting in their learning. So as we work through this unit of inquiry, I intend to find mentor texts to help support them and to “tune into” their voice so they develop their skills as writers.

I am wondering what others have done that has sparked a love of writing. What strategies and provocations have you used that got students motivated and energized about their work? Please share because it elevates teaching, not just in my classroom, but in other’s who read this blog. Sharing is caring! (:

Why the PYP Exhibition Brings You to Tears

Why the PYP Exhibition Brings You to Tears

By | | Comments 0 Comment

This past month was an explosion of students who completed their PYP Exhibition. It was fantastic to see on Facebook and Twitter all the pictures and videos of the kids. For those people who live outside of the International Baccalaureate (IB) bubble, The Exhibition is the mother of all projects for the primary program and is a culminating event of the Primary Years Programme (PYP). Students, in grades 5 or 6  have to literally become their own teachers and plan and conduct a personal inquiry and then present their research using the arts and technology. Anyone who is familiar with the IB will understand that this is no ordinary project as the kids have to incorporate all 5 elements of the PYP into this inquiry, creating a central idea and lines of inquiry-based on conceptual understandings they want to explore, all the while demonstrating the learner profile and attitudes. The major emphasis is to “do something” now that they “know something”, so the students are expected to act upon their new-found knowledge in a way that is meaningful to them. Needless to say, it is an exciting 6-8 weeks of learning, and it is a lot of work to guide the students as they are pushed to go deeper and are challenged to become independent learners.

At the end of April, we completed our own school’s P5 exhibition and it was really powerful. For 7 weeks, the typical school timetable collapsed and they only met with mentors and specialists who help guide their research, as well as stand-alone math lessons. It’s hard to really articulate what a transformative experience this is for the students, but it is definitely one of my favorite parts of the PYP and why I am such a staunch believer in the IB framework. During our opening ceremony, the students performed this song and there wasn’t a dry eye in the whole room, everyone was moved to tears.

Say something, I’m giving up on you I’ll be the one, if you want me to/ No one’s been there when we ask them to. Anywhere, I would’ve followed you/ Ignoring the problems that you knew Say something, I’m giving up on you

And I am feeling so small It was over my head I know nothing at all

And I will stumble and fall/ When we stumble and fall I’m still learning to love/ The way we treat others Just starting to crawl/ It makes them feel small

Say something, I’m giving up on you I’m sorry that I couldn’t get to you/ no one’s been there when we ask them to Anywhere, I would’ve followed you/ ignoring the problems that you knew Say something, I’m giving up on you

And I will swallow my pride/ And you, are using your might You’re the one that I love/ The power you have And I’m saying goodbye/ To take other’s rights

Say something, I’m giving up on you And I’m sorry that I couldn’t get to you/ I’m sorry that I didn’t fight for you And anywhere, I would have followed you Oh, oh, oh, oh say something, I’m giving up on you

Say something, I’m giving up on you/ Say Something, you have the power to Say something

Created by Ms. Overby’s P5 students, 2017

Parents and teachers were in awe and other students were inspired, as our students inquired into the “access to equal opportunity” in the Sharing the Planet theme.  On the day of the Exhibition, students gave workshops and shared their art, as they explored issues such as family problems, human rights, money’s impact relationships, gender inequality and the Syrian refugee crisis. We had a giant “reflection” canvas that students, teachers, and parents wrote or doodled on to express their reactions to the presentations and ask questions to the students. The students got a lot of feedback from this process and enjoyed engaging with an authentic audience.

But even leading up the day of Exhibition, students were promoting awareness of their topics during school-wide events such as assembly and International Day. Their research wasn’t hidden in the 4 walls of their classroom but was shared with all of the students, and many of the younger students’ curiosity was sparked.

I think because of this, it made the opening ceremony and the workshops even more potent, as finally, the unveiling was taking place. Because all the artwork was put on display all over the school, students were still commented on the ideas presented and the topics still lingered on their minds. It was obvious to us teachers, that other students had impacted and uplifted just by proxy of the Exhibition.  I was glad that we did Exhibition earlier than other schools because there was still a buzz for weeks afterward and it inspired the Grade 4 class to want to do a mini-X for their final unit.  The Grade 5 students then became mentors for this mini-X, which further empowered them.

 

One of the group’s artworks on display, demonstrating the basic human rights which government must uphold.

There is absolutely no doubt that these Grade 5 students are prepared for our Middle Year’s Programme, as the seeds of life-long learning have been planted and they have the skills necessary to be successful. As a teacher and PYP coordinator, I wish this experience for all students, as they discover that they can take charge of their learning and can create their own path in life, making a difference through community service, raising public awareness and art. As a parent, it gives me great hope in what this empowered generation can bring to our world. It is for this reason why I have tears of joy and not sadness when I look upon the accomplishment of these students.

 

 
So What? Now What?

So What? Now What?

By | | Comments 2 comments

I’ve been engaged in the Innovator’s Mindset MOOC lately (#IMMOOC) and the topic came up: engagement vs. empowerment.  George Couros asks a compelling question: If you had to choose between compliant, engaged, or empowered, which word would you want to define your students?

If engagement is the ceiling–the highest bar–we may be missing the point. Think about it: Would you rather hear about changing the world, or do you want the opportunity to do so?

As someone who teaches at an IB school, I know it is our ultimate goal to get students to move beyond the content and into action.  As a PYP coordinator, it is largely my role to ensure that we have horizontal and vertical alignment of curriculum that is significant, relevant, engaging and challenging to ensure that the IB’s mission is being pursued. (below is a snippet of the IB’s Mission statement)

….develop the individual talents of young people and teach them to relate the experience of the classroom to the realities of the world outside. Beyond intellectual rigour and high academic standards, strong emphasis is placed on the ideals of international understanding and responsible citizenship, to the end that IB students may become critical and compassionate thinkers, lifelong learners and informed participants in local and world affairs, conscious of the shared humanity that binds all people together while respecting the variety of cultures and attitudes that makes for the richness of life.

I think we’ve done a terrific job at cultivating a school Programme Of Inquiry that is really engaging but I wonder if it really empowers students. For example, as I walk onto the playground, I see plastic water bottles left carelessly from recess or lunch break. I think about how in every Sharing the Planet unit, students are reminded that we are stewards of the Earth. We’ve collected trash and measured it, made art with it, wrote about it, had assemblies and school announcements to raise awareness about it and YET, I see students walk by these water bottles and not pick them up to put them into the recycling bin. All those great units with all the fantastic projects that go along with it!–and I say to them: SO WHAT???! If students don’t feel compelled to change, then somehow we have failed to really educate them.

source

Those ideas of George Couros really burn in my mind: If engagement is the ceiling–the highest bar–we may be missing the point. Yep, clearly, we have evidence of that here because we must be missing the point if, after all that great learning, kids still leave rubbish and neglect to pick it up in our own schoolyard.

So NOW what?

It has got me thinking: all these student “actions” were probably teacher generated and not student ideas. If an idea belongs to you, then there is an incentive to develop it and sustain it.  I think that is true even for children. They haven’t bought into the concept that our human action matters and they are ones who can make the difference; the idea of responsible citizenship.

I know I’m not the only educator who suffers from this disconnect at their school. In our next staff meeting, I’m bringing this topic so we can inquire into how we can move kids into action, that comes from THEM and not US.  I wonder if others had this problem and what they did to overcome it. How did they move from engaged to empowered? If you have a success story, please share it with me–I’m all ears!

 
I Think, therefore I Math

I Think, therefore I Math

By | | Comments 0 Comment

I remember the first time I fell in love with math. I was enrolled in Mr. MacFarlene’s DP Math class. He often told jokes and odd stories about mathematicians but one day he did this lesson proving Pythagoras’ theorem using origami–that changed my life! After that lesson, I began to enjoy thinking mathematically. Math suddenly became real to me and I started to see it in my everyday life.

square-numbers Recently, during a conversation about math standards with a fellow primary school teacher,  we talked about how math symbols and algorithms can be very off-putting for students when they don’t understand the conceptual basis of an idea. We had a  love rant over using inquiry-based approaches in order to conceptualize problems and build models in order to show visual representations. When done in this way, math can become suddenly interesting, even “beautiful”.

Have you ever seen this TED Talk by Jo Boaler? (If not, watch it now–seriously it’s awesome!) As someone who once struggled with math, and later “got it”, minoring in it in university, I can appreciate the research that demonstrates how mindset is everything in overcoming barriers to problem-solving.

 

Most of the math taught in schools is over 400 years old and is not actually the mathetmatics that students need. -Jo Boaler-

When I reflect on my own experience as a learner and ponder this educational research, I wholeheartedly agree that inquiry-based learning naturally cultivates a joy in the struggle as students actively engage in problems that are relevant and interesting. Boaler calls this a multi-dimensional approach to teaching math, which would include the following:

  1. Posing  stimulating questions
  2. Providing multiple approaches to problem-solving
  3. Communicating student thinking
  4. Representing ideas in a variety of ways
  5. Using reasoning in order to justify the validity of a solution.

When engaged in this way, students begin to grasp ideas extensively, making connections to other mathematical concepts and applying them in a range of different contexts. The best part is that students become fascinated by math problems and solving them can be fun.

What I love most about the comparative research of inquiry-based math and traditional approaches to teaching is that this multi-dimensional approach not only closes the achievement gap but increases achievement, especially in more diverse socioeconomic schools like this group ; in fact, in more linguistically diverse populations, this approach not only improves math scores but also reading and science. As someone whose IB school population is mostly ELLs (English Language Learners), I have witnessed how transdisciplanary learning accelerates learning in so many subject areas. It feels like a no-brainer to teach this way, yet so many schools still rely on textbooks and worksheets. It’s a shame that those students miss out on all the juicy thinking.

However, I believe with all the focus on STEM (Science, Technology, Engineering, and Math) education, the trend towards favoring slow and deep mathematical thinking (vs. fast yet shallow problem-solving) will be inevitable. With 21st century learning, there’s a greater demand for integration of disciplines. Creating authentic situations in which real and compelling questions naturally develop, with a sublime amount of mystery lurking in it so that students can imagine and debate ideas during their problem-solving process, is becoming more universally accepted as effective math teaching, even in non-IB schools.

As a lover of math, the transition into these approaches gives me hope that my daughter might not have to wait until high school before she can relish the effort and be absorbed in a math task. I dream that one day she fumbles the words of Descartes and whispers into my ear, I think, therefore I math.

 
Eat, Sleep and Learn: In A State of Perpetual Practice

Eat, Sleep and Learn: In A State of Perpetual Practice

By | | Comments 0 Comment

Practice is a kind of severe devotion… This kind of discipline creates muscle memory, but even more so, this internal sensitivity andfamiliarity with the craft opens up and sparks invention and improvisation. Any kind of regular practice makes way for discovery and subtlety, and imaginative nuance will follow. -Gail  Swanlund-

I’m starting a new unit: How We Express Ourselves- We appreciate both the patterns that occur in the natural world and the ones that we create. During my first week of pre-assessment my mind says “No, no, no–these plastic toys and manipulatives, they are eye catching and helping them to develop the concept of pattern, but I want them to observe the natural world and get inspired by the lines, shapes, and colors they see!”

I can’t begin to tell you how mixed my emotions were–most of my students are on target, as they seem to understand the basics, copying, extending  and creating models, but this unit is supposed to be about the appreciation of the aesthetic, I have to dig digger and find ways to induce a state of curiosity and wonder in order to develop creativity and expose the limits of their imagination!!

If any early years teachers accustomed to teaching 3-5 years old were to look at these photos, they would be content with the approximations and, in some cases, clear understandings of the concept of pattern in our first week of our unit.  I think these learning tools are excellent ways to develop the structure of how we can manipulate shape and color, and it also gives them practice at creating repetition in forming patterns. However, as much as I love these little people’s effort, I know if I am to continue in this vein for this unit, I am totally missing the mark of the transdisciplinary theme.

I grabbed my laminated line drawing cards and dragged our lovely art teacher into my room to help me think about my classroom design and how I can organically teach pattern in lessons. I knew as soon as I began collaborating, I was out of my depth–I am not an artist, or at least that is how I perceive myself. (God help me when I sit down with the music teacher.) Panic began to set in….

So I  have begun to convert my classroom into different “environments”. One will be “water world”, “forest world” and “human world”, respectively.  And, if I was to really nail this unit, I was going to have to work on developing my craft so I could faithfully explore the idea of the aesthetic so the kids would demonstrate higher forms of creativity and irules-coritanventiveness.

With that in mind, I have decided to embark upon a learning journey, to jump into this inquiry as if I was the student and not necessarily the teacher. I’ve signed myself up for an Introduction to Image Making MOOC  from a graphic design perspective, and start to explore how I can incorporate some of these class assignments into my classroom. As I think about this endeavor the “rules” by Sister Corita Kent really speaks to how I can approach areas of my practice which are not as I am not as comfortable and familiar with.

Since I have decided to use the context of different environments to observe patterns, I have begun to consider how I might devise different provocations in which we can look at animals and their markings. Here are just a few ideas I have for the unit during our exploration and finding out phase of the inquiry.

  • Animal tails: I was thinking about a “cover and peek” activity. Using some of the languages from the Visible Thinking strategy, I See, I Think, I Wonder, we can look at pictures of animals with only their tails showing. Later, the students would be offered the use of materials like string and felt to create wavy, spotted and swirly tails.
  • Thunderstorm: I was thinking of listening to sounds of different types of storms and have the students give me words to describe what they hear.
    • Then I would give them some instruments and let them try to model what they hear. Later I would offer some drums, but I was thinking that I might cover the drum with some white paper and tape some different color crayons on it. In that way, when they are making their sounds, there would be markings on the paper.
    • Also, I plan on offering the colored water and droppers. I  was thinking that we could make raindrops using those materials, and they could watch the concentric circles form, as they drop the colored water into a tub of clear water.

These are just a couple of ideas that I was inspired with after 1 week from that MOOC. The longer I teach, the more I come to understand how important to do things that stretch me so that I not only cultivate a classroom rich in learning but that I model the growth mindset in my classroom–even if these ideas fail, at least I developed some opportunities to show the creative process over product. I want to endeavor to experience this inquiry as a participant, as much as I am the facilitator, so I am equally excited about what the students will come up with once the reins are taken off their imagination.

Like Minded? Let's Stay Connected!

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,298 other subscribers

Verified by MonsterInsights
Verified by MonsterInsights