Category: The Written Curriculum

What’s the Best that Could Happen? Using a Trans-Articulation Approach to Designing a Mission-Driven Programme of Inquiry (#PYP)

What’s the Best that Could Happen? Using a Trans-Articulation Approach to Designing a Mission-Driven Programme of Inquiry (#PYP)

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Where do good ideas come from? From a lot of bad ones, I think. We have to experiment and be willing to get “messy” in order to challenge ourselves. We have to be vulnerable. And, so I am sharing a very rough draft of some new thinking that I am exploring when it comes to our Programme of Inquiry. 

Last week, I meant to work on my Google Training series, but instead, I got the notion about how to rethink our Program of Inquiry with Future Thinking.  Inspired, I started sketching out possible approaches. Eventually, I created a Google Doc and started thinking about how I might map out the Programme of Inquiry (POI) based on the big WHY of a school’s mission. That became my starting line.

Excuse Me While I Make a Point

Pardon my digression.

Have you noticed that a lot of schools are really vague and general about their Mission?  I think the standard practice of trying to distill our mission into marketing taglines makes it harder to define our success as a school. For example: Inspire. Challenge. Empower. 

Inspired to do what? Challenging doing what? Empowering to do what? In my mind, these taglines create a state of “vanilla”, in which your school is, at best, average, instead of being a unique community of learning. I think this vagueness provides an incomplete map of why our school is so vital to the overall landscape of education.  Not just in our city, but in the world. We need to think bigger than our school bubble.

Back to the “Start”

Since I was present at our school’s recent Visioning session, I am aware of all the lovely conversations with staff, parents and students about “What’s the Best that Could Happen?” for our 5-year plan. Sustainability was a major theme that came out of those discussions and is a part of our strategic plans. Thus, I feel that our curriculum’s goal should be driven by what a school wants to become–the future they hope to build in 5 years.

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The 5-year plan now becomes a living document, as our curriculum can actualize the potential within our community. Sustainability, as a collective desire of the stakeholders, is going to be the “Rome” to which all roads lead to. In fact, it’s not a road, it’s a 4-lane highway, in which the Sustainability Compass comprises the lanes in which our curriculum will drive: Nature, Economy, Society and Well-being. What’s cool about this is that it’s been mapped against the UN’s Sustainability Goals which helps to promote them.

Sign Post #1: Guiding Conceptual Themes

Before looking at the POI, I want you to notice in the POI that I have included a grade level “Guiding Concept” that came from out of the Enhanced PYP discussions. Although I think of this as the tool for coherency and alignment, I love how Lisa Verkerk refers to it as the “red thread” that weaves units together. That’s a beautiful metaphor that describes how grade-level units have an overall conceptual theme that navigates the direction of each transdisciplinary theme’s inquiry. In this way, it makes it easier to map out the sequencing of units, because you consider which unit needs to come first in its understanding and then decide which one is the hardest, to help you to designate the order by conceptual understanding.

Sign Post #2: Layout

Sarah Osborne introduced me to another way of setting up the POI which has helped me to observe patterns of articulation of the descriptors within a transdisciplinary theme. When you just tilt this document on its side, sort of speaking, you get a whole new perspective on your Programme of Inquiry. Gaps begin to glare.

Although this is not a complete POI, once completed, it is a thing of beauty to see how coherent and infused it is deep conceptual understanding.

Sign Post #3: Central Ideas

I have a lot of strong opinions about central ideas which you may already be aware of if you read the blog post: Central Ideas: The Good, The Bad and The Messy. How the Primary Years Program Can Rethink and Define Them. However, I have to thank 25-year Reggio veteran Marianne Valentine  for helping me to consider how very broad central ideas are important for play-based learning as it opens up for more personalized inquiry and evolving your role as a teacher into a researcher. So, with that in mind, I have some central ideas that are succinct for a reason. Although I cringe when I read central ideas that sound more like slogans (ex: Ideas revel possibilities), they can be powerful tools in allowing certain units to go into a variety of directions and have their place in a POI.

Sign Post #4: Solution-Focused

I am really inspired by the work of Glenn Hayres, Jen Friske and Lynn Cuccaro with their diligence in writing units of inquiry that are solution-focused in directing a POI to create problem-solvers as students. I love this intention and I think it amplifies agency when we not only bring the world’s problems to the children’s attention but empower them into action. No doom and gloom. We can cope with hope. (Cheesy, I know, but couldn’t resist.)

However, this is a skillful endeavor, and I am still working on developing this skill. But I like a challenge and enjoy giving it a try.

Before you peek at the document, I have another POI that is following this approach. Very much a draft! And the one below that is another POI I created as a warm-up for the Enhancements. It’s an “old” way of thinking about a POI, but I go back to it to steal ideas and reference it to see if this purpose-driven POI is really any different from past ones I have created.

https://docs.google.com/document/d/1mQRFkpM8Z8V2KwRqvnFX294sm5dWY8g7dIkenP0oeck/edit?usp=sharing

 

This is a work in progress, clearly. I still have some “Future Building” to work on. But I am sharing this raw POI skeleton so you can start thinking about how your school can use these features in creating a POI template that is motivated with bigger ambitions than covering content in order to prepare students for MYP. One thing I have yet to do is to collaborate–something that is really necessary with designing a POI. You need lots of perspectives and ideas to tap into the genius and experience of others. Not necessarily with the whole staff, but definitely with the right people, can be exciting and fun.

Looking Back at the Map

Because I believe that our written curriculum is a major contributing factor to the ethos and culture within a school, I feel that a well-articulated POI is foundational for dynamic learning and teaching within a school. When this is fully fleshed out, I will have to filter this POI through that the school’s bigger “Why” and whether it will support our school’s goals. We always have to be challenging our POI. Furthermore, on paper this POI is in theory. When these units are taught, that is the really telling sign and the one that matters–What learning came out of this? What was its impact? We’d have to reflect and modify when necessary.

 

My hope is that your heart is leaping out of your chest with the possibility of how awesome your school can become when you have a written curriculum that is mission-driven and coherent. I wish for all of our schools to ask themselves What’s the Best that Can Happen?

In my mind, silence is accepting the status quo. Please challenge and extend my thinking in the comments below.

 

#Inquiry in the #PYP: From Paper to Practice: 5 Approaches for Provocations (that “Stick”)

#Inquiry in the #PYP: From Paper to Practice: 5 Approaches for Provocations (that “Stick”)

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Even though we all use ‘the framework’, we have all sorts of curriculums in our schools.  Some schools use the PYP Scope and Sequences, others use their national curriculums and yet others look at curriculum like a buffet- take a bit of AERO Standards, some of this from the Common Core and a portion of  NGSS (Next Generation Science Standards). (Nevermind that most schools don’t even acknowledge any Technology Standards) Whatever approach you take to the “Written Curriculum”, you have to bridge what you put on paper with what is the “Taught Curriculum” is going to look like and how on Earth are you going to let student agency influence it.

This sort of tension is what I am really thinking about and concerned with–how are we going to shift our thinking about the “Written Curriculum” being the driver into it being the “map” that we can use to go on divergent paths created by student’s interests. And I think solid provocations are the “starting line” from which are learning journey begins. Although I have written about provocations before, I wanted to come at from a different angle from the ideas presented from the book, Made to Stick. (I am a huge fan of the writing of Dan and Chip Heath). Because at the heart of a provocation, we want it to leave an indelible mark and make a real impact on students’ thinking in order to create action and authentic agency.  They would call this type of learning “sticky”. (Don’t you love that?)

But the challenge of creating a provocation is that you know too much. The Heath brothers term this, the Curse of Knowledge. Here’s what they mean:

It’s a hard problem to avoid—every year, you walk into class with another year’s worth of mental refinement under your belt. You’ve taught the same concepts every year, and every year your understanding gets sharper, your sophistication gets deeper. If you’re a biology teacher, you simply can’t imagine anymore what it’s like to hear the word “mitosis” for the first time, or to lack the knowledge that the body is composed of cells. You can’t unlearn what you already know. There are, in fact, only two ways to beat the Curse of Knowledge reliably. The first is not to learn anything. The second is to take your ideas and transform them.

Stickiness is a second language. When you open your mouth and communicate, without thinking about what’s coming out of your mouth, you’re speaking your native language: Expertese. But students don’t speak Expertese. They do speak Sticky, though. Everyone speaks Sticky. In some sense, it’s the universal language. The grammar of stickiness—simplicity, storytelling, learning through the senses—enables anyone to understand the ideas being communicated.

(From Teaching, Made to Stick, by Dan and Chip Heath)

I can really relate to this, especially when I taught older students because I thought they already “knew stuff”. With that in mind, provocations can really reveal what students are thinking and feeling.  So now that you have the context of why provocations can be so powerful and transformative for student learning, I’d like to share with you 5 approaches for provocations (that “stick”):

1.Unexpected: Create curiosity and pique interest with unexpected ideas and experiences that open a knowledge gap and call to mind something that needs to be discovered but doesn’t necessarily tell you how to get there.

Example-Central Idea: The use of resources affects society and other living things.

Take out all the classroom resources that are made from petroleum products after school one day. The next day,  have the students come in and be shocked?-where did all those resources go? Then have them consider what these resources have in common. And then have them consider the impact on society if these non-renewable resources went away.

2. Concrete: Ground an idea in a sensory reality to make the unknown obvious.

Central Idea: Economic activity relies on systems of production, exchange, and consumption of goods and services.

Create a classroom economy by “printing” money and having students create businesses. Turn all of your classroom resources into “commodities” or by providing services (like sharpening pencils) to illustrate the conceptual understandings. This provocation goes on for weeks, by the way, so that they can experience the related concepts of scarcity and marketing.

3. Credible: Demonstrate ideas and show relationships to “prove” a point.

Central Idea: Informed global citizens enhance their communities.

CRAAPgraphicGo through news articles either on a social media news feed or through an internet search on a topic that is relevant and interesting to your students or controversial (ex: climate change). Have the students examine at least 3 websites or sources of information and put them through the filter of the CRAAP test.

4. Emotional: Powerful images, moving music, role-play–anything that incites either strongly positive or negative feelings.

Central Idea: Homes reflect local conditions and family’s culture and values.

Using images from photos of children’s bedrooms from around the world have the children try to match the picture of a child with a picture of a bedroom. Why do they think those images go together? What evidence in the photo might suggest the values and culture of that child’s family?

5. Story: Use a story, whether from a book, a video or from your own life, to illustrate a challenge or provide a context worth exploring.

Central Idea: Our actions can make a difference to the environment we share.

Share the story of One Plastic Bag and have students reflect on the impact her small action had made in her community. What would you do with a plastic bag? (During our  1st-grade classes’ personal inquiry time, students were invited to take some plastic bags and play around with those materials. It is interesting to see who and how they took action.)

So there you go. These are just 5 approaches to 5 central ideas. Crafting provocations are probably one of the best things I love about the PYP and when we share insight into how we can approach these central ideas, I think it elevates everyone’s schools because of the insights gained.  I’d love if others could share and post ideas for provocations to further illustrate the importance that they play in deepening our students learning and inspiring authentic connections and action.

#PYP: Sticky Learning: Moving from a Topic to a Conceptually based Central Idea

#PYP: Sticky Learning: Moving from a Topic to a Conceptually based Central Idea

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As an early years teacher, it’s not hard to notice that so many national curriculums are “pushing down” learning skills and content knowledge. So a common traditional approach in preschools and kindergartens has been teaching the literacy and numeracy skills through topics. You teach an “Animals” unit, a “Farm” unit or a “Weather” themed unit.  So when I was recently asked if I could help write a Central Idea for a unit on “sound” for nursery age students, it harkened back to those days for me. Since I know how difficult it can be to break those habits of thinking about teaching those skills through a topic, I thought there might be others out there who’d like to figure out how to take a topic and have it evolve into a conceptually-based unit and I decided to disentangle this approach in a blog post.
First of all, what is all the hubbub between a topic and a concept anyhow? Let’s just get that squared away before we go further. made-to-stick_quoteA classic definition of a concept is an enduring understanding that is broad enough that you can transfer it across disciplines and time. But I’d like to add that a concept is something that makes you think, makes you wonder, gets those neurons firing. A topic fades from your mind, just like a rainbow after a shower–it seemed lovely at the moment, but quickly disappears from your memory. You see that quote from Chip and Dan Heath–our goal whenever we write a Central Idea is nearly the same–an idea so profound that an individual could spend a lifetime learning about it. This is why the PYP makes such a fuss about developing conceptual knowledge and skills. Learning facts and skills without a context is a waste of time and often evaporates unless we make units that are “sticky”.  Concepts are like a bad rash that won’t go away. Concepts get under our skin and stick with us and reappear in new contexts that broaden our perspectives.
I’d just like to say that writing a central idea is easier than you think, but first, it’s important to ask Why is this worth knowing and How does it connect to other learning? –This is especially true for younger students since they have limited life experience to draw upon. No matter what ideas you bring forward in the learning, this is where we start. In a previous post, #PYP: 3 Things to Consider when Evaluating a Programme of Inquiry, I reiterate the driving force behind the Written Curriculum, in which Central Ideas are developed to be engaging, relevant, challenging and significant.  Here is how the IB defines them:
Engaging: Of interest to the students, and involving them actively in their own learning.
Relevant: Linked to the students’ prior knowledge and experience, and current circumstances, and therefore placing learning in a context connected to the lives of the students.
Challenging: Extending the prior knowledge and experience of the students to increase their competencies and understanding.
Significant: Contributing to an understanding of the transdisciplinary nature of the theme, and therefore to an understanding of commonality of human experiences.
So when writing a UOI, I start with related concepts. “Sound” is typically considered a topic all by itself and it would really narrow the learning experiences of students. However, if you add the related concepts, then it makes the unit more conceptually based. Taryn Bond Clegg shared a helpful list of these related concepts.
So, let’s have a think about concepts that sound is connected to…..
The concept of Pattern can examine sound relationships such as rhyme, rhythm, tone, and pitch. It’s also a great math link.
The concept of Properties can make a connection to materials and how it impacts the quality of sounds. This also makes a great math link for attributes and data.
The concept of Imagination is another one that could make for an engaging unit, as the students in this year group can interpret sounds and make images related to sounds they hear  (Interpretation is another concept that might be relatable.)
So, looking at those related concepts, now it’s a matter of determining what’s relevant and worth knowing for your students. I’d choose one of those concepts and write a simple central idea–especially if they are 3-5 year-olds. Anything longer and more sophisticated is just “blah-blah language” (a term described by a 4-year-old to me once. Bless his heart.) The younger ones are constructing meaning, so let’s honor that’s where they are at developmentally.
Examples of UOIs that reframe this topic into a conceptually based learning unit might be:
Discovering patterns help us make sense of our world.
The properties of a material determine how it is used.
The interpretation of sounds can spark our imagination.
The intention is for students to construct the meaning of these concepts and we can embed the topic of “sound” in our lines of inquiry.
For example: Discovering patterns help us make sense of our world.
  • what is a pattern (form)–thinking about beat and rhythm
  • how we use sound to make patterns (function)
  • patterns in language (connection)–rhymes and poems
  • different ways we can change a pattern (change)–tone and pitch
  • patterns in our world (reflection)–sounds can be a learning lens for this
 (I bet if I had a music or performing arts teacher sitting next to me, they’d be nudging me with more examples.)
For older students, we can expand this Central Idea:
Discovering patterns help us make sense of our world and spark our creativity.
*the and in that Central Idea invites students to move from exploration to creation of the concept of patterns because we would expect older students to be applying knowledge since they’ve probably already constructed a basic understanding of this concept.
However, I wouldn’t say that Central Ideas have to be lengthier or all about applying knowledge in upper-grade levels. They will likely come across concepts are entirely new, and there would be a danger of “overpacking” a Central Idea. More complex concepts might be biodiversity, government, and networks. We’d want central ideas to go deep, not wide, and yet provide for a multitude of student inquiries. Consider the challenges in teaching the following Central Idea:
The well-being of an ecosystem can be determined by its biodiversity.
If this is the first time that students are exposed to the concept of an ecosystem, then this will make for a challenging unit because the teacher will have to ensure that the students have that understanding of food webs before they can build upon it to get the concept of biodiversity. Make sure it has been explored in previous units or rewrite the Central Idea so that it’s simplified:
The growth of living things determines the well-being of an ecosystem.
The “blah-blah language” has been diluted and now the focus is developing a strong foundation. Hey, I heard you in the back of the room-Can you write biodiversity into a line of inquiry? No, I would caution it simply because you are adding another level of complexity and decreasing the chances that students feel confident to drive their learning.
I’m not sure if this helps in clarifying how to write concept-based Central Ideas but at least these ideas should get you started in writing units and hopefully empowers your approach to writing a central idea and a unit of inquiry. Remember: If a central idea “sticks” in your mind, then it’s probably worth spending time inquiring into.

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