Tag: Central Idea

#PYP: Sticky Learning: Moving from a Topic to a Conceptually based Central Idea

#PYP: Sticky Learning: Moving from a Topic to a Conceptually based Central Idea

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As an early years teacher, it’s not hard to notice that so many national curriculums are “pushing down” learning skills and content knowledge. So a common traditional approach in preschools and kindergartens has been teaching the literacy and numeracy skills through topics. You teach an “Animals” unit, a “Farm” unit or a “Weather” themed unit.  So when I was recently asked if I could help write a Central Idea for a unit on “sound” for nursery age students, it harkened back to those days for me. Since I know how difficult it can be to break those habits of thinking about teaching those skills through a topic, I thought there might be others out there who’d like to figure out how to take a topic and have it evolve into a conceptually-based unit and I decided to disentangle this approach in a blog post.
First of all, what is all the hubbub between a topic and a concept anyhow? Let’s just get that squared away before we go further. made-to-stick_quoteA classic definition of a concept is an enduring understanding that is broad enough that you can transfer it across disciplines and time. But I’d like to add that a concept is something that makes you think, makes you wonder, gets those neurons firing. A topic fades from your mind, just like a rainbow after a shower–it seemed lovely at the moment, but quickly disappears from your memory. You see that quote from Chip and Dan Heath–our goal whenever we write a Central Idea is nearly the same–an idea so profound that an individual could spend a lifetime learning about it. This is why the PYP makes such a fuss about developing conceptual knowledge and skills. Learning facts and skills without a context is a waste of time and often evaporates unless we make units that are “sticky”.  Concepts are like a bad rash that won’t go away. Concepts get under our skin and stick with us and reappear in new contexts that broaden our perspectives.
I’d just like to say that writing a central idea is easier than you think, but first, it’s important to ask Why is this worth knowing and How does it connect to other learning? –This is especially true for younger students since they have limited life experience to draw upon. No matter what ideas you bring forward in the learning, this is where we start. In a previous post, #PYP: 3 Things to Consider when Evaluating a Programme of Inquiry, I reiterate the driving force behind the Written Curriculum, in which Central Ideas are developed to be engaging, relevant, challenging and significant.  Here is how the IB defines them:
Engaging: Of interest to the students, and involving them actively in their own learning.
Relevant: Linked to the students’ prior knowledge and experience, and current circumstances, and therefore placing learning in a context connected to the lives of the students.
Challenging: Extending the prior knowledge and experience of the students to increase their competencies and understanding.
Significant: Contributing to an understanding of the transdisciplinary nature of the theme, and therefore to an understanding of commonality of human experiences.
So when writing a UOI, I start with related concepts. “Sound” is typically considered a topic all by itself and it would really narrow the learning experiences of students. However, if you add the related concepts, then it makes the unit more conceptually based. Taryn Bond Clegg shared a helpful list of these related concepts.
So, let’s have a think about concepts that sound is connected to…..
The concept of Pattern can examine sound relationships such as rhyme, rhythm, tone, and pitch. It’s also a great math link.
The concept of Properties can make a connection to materials and how it impacts the quality of sounds. This also makes a great math link for attributes and data.
The concept of Imagination is another one that could make for an engaging unit, as the students in this year group can interpret sounds and make images related to sounds they hear  (Interpretation is another concept that might be relatable.)
So, looking at those related concepts, now it’s a matter of determining what’s relevant and worth knowing for your students. I’d choose one of those concepts and write a simple central idea–especially if they are 3-5 year-olds. Anything longer and more sophisticated is just “blah-blah language” (a term described by a 4-year-old to me once. Bless his heart.) The younger ones are constructing meaning, so let’s honor that’s where they are at developmentally.
Examples of UOIs that reframe this topic into a conceptually based learning unit might be:
Discovering patterns help us make sense of our world.
The properties of a material determine how it is used.
The interpretation of sounds can spark our imagination.
The intention is for students to construct the meaning of these concepts and we can embed the topic of “sound” in our lines of inquiry.
For example: Discovering patterns help us make sense of our world.
  • what is a pattern (form)–thinking about beat and rhythm
  • how we use sound to make patterns (function)
  • patterns in language (connection)–rhymes and poems
  • different ways we can change a pattern (change)–tone and pitch
  • patterns in our world (reflection)–sounds can be a learning lens for this
 (I bet if I had a music or performing arts teacher sitting next to me, they’d be nudging me with more examples.)
For older students, we can expand this Central Idea:
Discovering patterns help us make sense of our world and spark our creativity.
*the and in that Central Idea invites students to move from exploration to creation of the concept of patterns because we would expect older students to be applying knowledge since they’ve probably already constructed a basic understanding of this concept.
However, I wouldn’t say that Central Ideas have to be lengthier or all about applying knowledge in upper-grade levels. They will likely come across concepts are entirely new, and there would be a danger of “overpacking” a Central Idea. More complex concepts might be biodiversity, government, and networks. We’d want central ideas to go deep, not wide, and yet provide for a multitude of student inquiries. Consider the challenges in teaching the following Central Idea:
The well-being of an ecosystem can be determined by its biodiversity.
If this is the first time that students are exposed to the concept of an ecosystem, then this will make for a challenging unit because the teacher will have to ensure that the students have that understanding of food webs before they can build upon it to get the concept of biodiversity. Make sure it has been explored in previous units or rewrite the Central Idea so that it’s simplified:
The growth of living things determines the well-being of an ecosystem.
The “blah-blah language” has been diluted and now the focus is developing a strong foundation. Hey, I heard you in the back of the room-Can you write biodiversity into a line of inquiry? No, I would caution it simply because you are adding another level of complexity and decreasing the chances that students feel confident to drive their learning.
I’m not sure if this helps in clarifying how to write concept-based Central Ideas but at least these ideas should get you started in writing units and hopefully empowers your approach to writing a central idea and a unit of inquiry. Remember: If a central idea “sticks” in your mind, then it’s probably worth spending time inquiring into.
#PYP The Null Curriculum? Why PYP Schools Need to Examine Science in the Program of Inquiry

#PYP The Null Curriculum? Why PYP Schools Need to Examine Science in the Program of Inquiry

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Let me be clear, I am biased. I wholeheartedly agree with the Nobel-Prize winning quantum scientist, Richard Feynman, ” The world looks so different after learning science.”  In my mind, this is the greatest argument for scrutinizing our Programme of Inquiry to ensure that are developing scientific literacy. Scientific inquiry naturally challenges and changes you.

I have been trying to track down the memory of where I first heard a PYP educational leader say that out of our 6 Transdisciplinary Themes, there are some units that should be Social Studies focused (Where We Are in Place and Time and How We Organize Ourselves), another that should be Arts focused (How We Express Ourselves), 2 that are Science focused (How the World Works and Sharing the Planet) and the Who We Are theme can bridge multiple disciplines. Of course, it’s very easy to read the transdisciplinary theme descriptors and arrive at these conclusions, but this whole notion of a theme as the “arts” and the “social studies” unit is incongruent with the whole notion of what IS supposed to transdisciplinary learning. But whenever I look at a school’s Programme of Inquiry (POI), this sort of thinking seems to leave its fingerprints everywhere in their curriculum design. Look at your own POI, right now. I double dog dare you! You’ll see exactly what I am talking about.

I’d like to challenge this discrete packaging of developing knowledge by themes. Furthermore, I’d like to use this term, the Null Curriculum, ironically, to explore what it means to our POI.

The Null Curriculum: the options students are not afforded, the perspectives they may never know about, much less be able to use, the concepts and skills that are not part of their intellectual repertoire. -Elliot Eisner-

For those who don’t know, Elliot Eisner, a curriculum thought leader and art education advocate, coined this term null curriculum, in which he often stated that art appreciation is an important and often neglected aspect of our school’s implicit curriculum. However, this term is transferable to other subject matter. When we relegate science and its thinking skills to only a couple of TD themes, we are minimalizing its importance, making it null; especially since it is not a “special” (visual art, music/performing arts, additional languages and PE) that IB schools offer a couple times a week. Therefore, Science, as a subject, only gets to be spotlighted and explored for 6-12 weeks a year, for maybe 3 hours a week during the time in which we are not teaching math, literacy or the special subjects.

Did you just do the math? 36 hours or 3 days of Science learning a year. Ouch. That’s not a lot dedicated time to an area of learning that we know is emerging as a necessary element of our students’ lives. We know that technology is changing the dynamics of our society and STEM (Science, Technology, and Math) is becoming a focal point for innovation in many schools (which many schools have expanded STEM to STEAM to include art as an essential component) So shouldn’t we be examining our POIs to make sure we are in synch with emerging trends and provide a balanced curriculum?

Here’s what troubles me the most, science, in my mind is the binding agent of all the other disciplines. It is an inherently transdisciplinary inquiry. That’s because science explores the “magic” that remains invisible until we apply scientific habits of thinking. It starts off with What Does It All Mean, Man?-sort of thinking; our curiosity and our imagination are naturally provoked and we are driven to make discoveries which only lead to further questions and a revealing of new possibilities. Science, in my mind, is a big game of What If? which can be applied to all manner of subjects and cultivate deeper thinking. 

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When the Arts and Science Get Married: Changing How the World Works to How We Express Ourselves 

I’d like to pull out some central ideas and challenge how you can put more science into other themes.  How We Express Ourselves is probably not the first one you would have picked so I’d like to start there.  Here’s the overview of the theme.

How We Express Ourselves: an inquiry into…the ways in which we discover and express ideas, feelings, nature, culture, beliefs, and values; the ways in which we reflect on, extend and enjoy our creativity; our appreciation of the aesthetic.

Now, I’m going to hit close to home and share the How the World Works unit that we did with our 1st graders:

Understanding sound and light can transform experience.

Put this central idea in that theme descriptor above. Think about how students could have applied their knowledge of light and sound if we had inquired through this theme.  We could have developed perspective-taking and thinking about an audience. We could have explored acoustics and how light enhances a performance. We could have used design thinking. It would have been messy learning. We, students and teachers, included, would have gone into the learning pit, and we would have had fun, we would have been challenged. It would have an impact and lasting memory on all of us. It would have been exhilarating and excruciating at the same time. Really the only constraints of this collaboration would be the depth of our lines of inquiry.

What about this central idea from another school’s  How the World Works Unit?

Materials can be categorized, manipulated and changed.

The same sort of collaboration would have been possible.  If we extended the central to include more concepts, I think there would be a richer learning experience. For example:

Materials can be categorized, manipulated and changed for a purpose.

Materials can be categorized, manipulated and changed for communicating a message. 

The second central idea makes me wonder how we might explore art curation or how manufacturers and designers consider the impact of plastic on our world. What about  Addis shoes made out of plastic?-Can you think of how you can teach students material science and apply it to innovation, making treasure out of trash? We just did this concept of transformation with musical instruments to make a sound garden at our school. (This unplanned collaboration came out of a Sharing the Planet unit) This is only one idea of a hundred possibilities. I’m not even scratching the surface. What ideas float up in your mind?

Here’s another central idea:

People are inspired to create by observing the natural world. 

If you pull out a piece of paper and start mind mapping the possibilities of this central idea, it would be hard to write only 3 lines of inquiry for it. My mind goes to weather, jumps to landforms, then airplane design or bridge building then wonders how we could capture movement and change in our drawings or dancing. I think about culture, whether it is folktale creation stories or costumes.  There all sorts of connections that can be made. I am only limited by my imagination.

I’d like to share one more thought about the marriage of art and science in our curriculum. Have a think about what Eisner is postulating:

eeisner
From Reimagining Schools: The Selected Works of Elliot W. Eisner

Did you read that last line? Connoisseurs of…the world. When you marry science to all the other areas of learning, you get all sorts of delightful experiences. You apply skills. You apply knowledge. So stop thinking that How We Express Ourselves is the Arts unit! It goes beyond those boundaries of that discipline, from passive to active learning, when you combine it with science.

I’m going to revisit this idea of putting science into other themes.  I just really want to challenge this notion of what disciplines are emphasized during a unit of inquiry. I want us PYP educators to really be true to the transdisciplinary nature of our framework’s design–not because we are blindly following Making the PYP Happen, but because the future world in which our students will live demand that they can transfer knowledge and skills between disciplines. Technology is blurring the lines between subject areas and we need to prepare students for the shifting nature of what we will call “progress”.

Perhaps you have any other thoughts that you would like to add to this discussion of curriculum. Please share! It helps all of us grow!

#PYP “Pre-packing” vs. “Unpacking” the Central Idea: Design Thinking Based Approach to Writing Units of Inquiry.

#PYP “Pre-packing” vs. “Unpacking” the Central Idea: Design Thinking Based Approach to Writing Units of Inquiry.

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Anyone who teaches the Primary Years Program knows preciously what I mean by the word unpack. But just for clarity sake, let me explain:

Unpack (verb): to explain and define the key conceptual understandings and “big words” used in a central idea and lines of inquiry, usually as a part of “tuning into” a new unit of inquiry.

Depending on the unit of inquiry, teachers can choose to go a more traditional path to explain the big words or they can create provocations that awaken the meanings. I suppose it depends on how much weight you want to give to these keywords or how long you want to dwell on them. Each unit is sort of unique in that way.

In an earlier post (#PYP The Sound and Light of Using Design Thinking To Write a Unit of Inquiry), I explained the experiment and struggle of using design thinking to construct a unit of inquiry. This past week, we presented two different “prototypes” of a central idea for a How The World Works unit that we are creating for our Grade 1 students. Here are the prototypes:

Version 1.1: Understanding energy can lead to discoveries and help us predict its behavior.

Version 1.2 Exploring light and sound can lead to discoveries and open up new possibilities.

When we presented these central ideas, we discussed them one by one and asked them what words they connected to and what did it make them think about. This was a very revealing exercise! The first reaction to the central ideas:

“Wow, that is long and hard sounding”

Second of all, only a handful of our 34 kids had much to say about the scientific concepts in either central idea, showing a deep need to develop real content knowledge.  Third of all, our English language learners preferred “light and sound” over “energy”, which was something that we needed to put a high emphasis on since we have a large group of them. Last insight was that they made the connection with the words exploring and discoveries to “finding out”, which then evolved into the idea of a “science experiment lab”–these words got an uproar of excitement in the group. They began seeing themselves as scientists, creating all sorts of investigations.

At that point, we voted on whether we would explore “energy” in general or if they wanted to just focus on “light and sound”.  The latter was the most popular with both our ELLs and our girls (which made me go, “hmmm….”) in high numbers for the vote.

So then I tried to capture the ideas that the students resonated with, while still honoring the nature of this transdisciplinary theme, and wordsmithed some new ones. Our grade level team discussed and debated them, which is an important aspect of using design thinking.

Central Idea, Version 1.3: Experimenting with light and sound can lead to discoveries and innovation.  

Team comment summary:

” I think it’s 1 dimensional, with the word experiment in it because there are many ways to explore light and sound that isn’t through experiments. “; 

“This sounds like an upper-grade unit because they can do more research into the innovation part”;

“Yeah, we’d have to unpack the word innovation and they don’t have much context for that concept yet”. 

Central Idea, Version 1.4: How living things hear sounds and see light impacts their experience of their world.

Team comments summary:

“Kids this age love animals, so I think they would really enjoy the learning.”; 

“Yeah, this is very Grade 1 friendly and we need to develop the concept of living vs. non-living”;

“Oh, and we could discuss sonar with underwater animals and how bats use echolocation. They’d love that!”;

“Would this have any scientific thinking and process skills though? They really wanted to do experiments and I think we’d lose the ‘science lab’ aspect if we made this the central idea. I mean, we could do experiments showing how living things experience light and sound differently but then it would just be proving scientific facts vs. exploring with our own original ones. In our original UOI, it was all about scientific thinking so maybe it covers a different TD indicator and this one definitely feels like an inquiry into the natural laws. But maybe we could write this into a line of inquiry”.

Central Idea, Version 1.4: Human understanding of sound and light can transform their experience.

Team comments summary: 

” This invites more inquiry-how many ways do humans experience light and sight?” 

“Yeah, when I think about this, I think about how humans first harnessed fire and this sort of discovery led to so many more advancements, as people tried to turn night into day.”

“Oh, totally– this has more of a transdisciplinary approach because we not only have the science bit with natural vs. artificial light but then you have social impact of candlelight to electricity.” 

“But if we only focus on humans, then this unit might not be as interesting as the one with animals. The concepts within electrical energy would be better for older kids. Our 1st graders would appreciate more the context of how animals and plants have senses that detect light and sound in different ways.”

” Good point-How about we just drop the word ‘human’ so we can keep it open for other living things and see where this unit takes us?”

Nods in agreement……..

So here is the new prototype that we are going with for our UOI:

Central Idea (v. 1.5): Understanding sound and light can transform experience.   

Lines of inquiry        

  • How living things hear sound and see light (perspective)      
  • Transformation of energy (change)
  • Ways we use the scientific process (reflection)

       Related Concepts:  Energy, Impact, and Transformation

Attitude: Enthusiasm, Creativity, Curiosity                              LP: Reflective, Thinker, Inquirer

Although this process may have taken longer than we would have liked, it was important to reflect on the needs of our students as well as appreciating what fascinates them and promotes curiosity. When I think about how the PYP has been reviewed, I think this exercise in Design Thinking honors the new emphasis on Learner Agency. In the new IB documentation, it states:

Your understanding of the learner is the foundation of all learning and teaching and will influence how you support student agency, and how the learning community considers children’s rights, responsibilities and identities.

Agency is present when students partner with teachers and members of the learning community to take charge of what, where, why, with whom and when they learn. This provides opportunities to demonstrate and reflect on knowledge, approaches to learning and attributes of the learner profile.

–The Learner in the Enhanced PYP–

Even though I think this is our first iteration at developing learner agency through “pre-packing” the Central Idea with student thoughts and viewpoints, I still believe that we have honored the core of the PYP programme and moreover have really carefully considered our learners over pulling units of inquiry out of the archives to see which one might “fit”. For our team, we have a higher level of excitement going into this unit (and maybe a little trepidation), knowing that we can’t wait to surprise and inspire them with the provocations and challenges that this Central Idea will bring.

How does your team approach honoring student voice and choice? Have you ever “pre-packed” a unit of inquiry (other than Exhibition or PYPX)?

#PYP: What is a Provocation?

#PYP: What is a Provocation?

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I love the International Baccalaureate but the jargon really can get you jumbled up, especially when you are new to the program. In the PYP, we use a lot of terminologies that others would just call “best practice”.  However, there is a word that pops up quite a lot: provocation.

Now someone might call it the “hook”, something that draws student’s attention into a lesson. But when I say “hook”, I don’t mean an attention grabber like a joke or cute anecdote or a routine of some sort that gets students on task. No, that’s not a provocation!   A provocation is a thoughtfully constructed activity to get students excited and engaged, but a really powerful provocation creates cognitive dissonance that throws kids into the Learning Pit (of inquiry).  Students should be examining their beliefs and ideas as a result of the provocation.

Here is a list of questions that were shared by Chad Walsh which can help filter activities and perhaps refine them in order to transform them into provocations:

  • Is the provocation likely to leave a lasting impression?
  • Is there a degree of complexity?
  • Might the provocation invite debate?
  • Might the provocation begin a conversation?
  • Might the provocation extend thinking?
  • Might the provocation reveal prior knowledge?
  • Is the provocation likely to uncover misconceptions?
  • Does the provocation transfer the ‘energy’ in the room from the teacher to the students?
  • Does the provocation have multiple entry points?
  • Can the provocation be revisited throughout the unit?
  • Might the provocation lead learners into a zone of confusion and discomfort?
  • Does the provocation relate to real life/their world?
  • Is the provocation inconspicuous and a little mysterious?
  • Might the provocation lead learners to broader concepts that tend to carry more relevance and universalitMight the provocation be best during the inquiry, rather than at the beginning?
  • Does this provocation elicit feelings?

That is a very extensive list, isn’t it?

Well, let me share a  few examples of provocations:

How We Organize Itself, The Central Idea: Governments make decisions that impact the broader community.

Students come to class that morning and are treated according to the government system that is being highlighted. (Example, Totalitarian) This goes on for a week and each day students have to reflect on what it was like to be a citizen of this type of government.

Where We Are In Place and Time, The Central Idea: Personal histories help us to reflect on who we are and where we’ve come from.

The “mystery box” (which I think originated from the work of Kath Murdoch): inside a box (or a suitcase, in this example) there is a bunch of seemingly unrelated items that students have to guess what the unit might be about. This is a “tuning in” activity. And since this is a central idea about personal histories, it might include a family photo, an old toy, some cultural artifacts or relics of things we enjoy doing, a clock, a map.

Math Stand Alone, The Central Idea: Mathematical problems can be solved in a variety of ways 

The  “sealed solution“: there are 5 envelopes that have the sum of two numbers “sealed” inside them. Students have to use the digits 0-9 only once to create those sums. What could be the sums inside?

Hopefully, this is helping you to discern what a provocation might be. Even if you are an experienced PYP teacher, reflecting and refining our provocations is something that is critical to developing our student’s learning and sparking curiosity.  A well-designed provocation will not only make it to the family dinner table conversation that night but will have a longer shelf life in a child’s mind and ultimately develops important conceptual understandings.

What have been some of your favorite provocations? What questions or engagements have led to deeper learning? Please share in the comments below so we can all benefit from your experience! (Thanks!)

Post Mortem Reflection: Autopsy of a Failed PYP Unit (Sharing the Planet)

Post Mortem Reflection: Autopsy of a Failed PYP Unit (Sharing the Planet)

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It doesn’t matter if you have been teaching for 8 months or 18 years, you will experience a bombed lesson from time to time. But a bombed unit-well, that I have yet to experience until now. And it has been the most frustrating 6 weeks of my life, as I have worked relentlessly to cultivate their conceptual understanding. Most teachers don’t share their failures, they only blog or tweet about all the “cool learning” that’s going on but I think it’s equally important to reveal and reflect on our failings. So in an effort to be vulnerable, I humbly submit that this unit has yet to meet its central idea and only narrowly developed its lines of inquiry. And I can’t stop asking why.

Our actions can make a difference to the environment we share.

  • how we use resources (function)
  • the impact of people’s actions on the environment (causation)
  • choices we make to care for our environment (responsibility)

I hold some very strong beliefs when it comes to creating curriculum in the PYP, one of which is having a solid central idea that a teacher can anchor the learning in.  If you pulled out the keywords–what would they be? I chose to focus on “actions”, “environment” and “share”. Other key ideas were from the lines of inquiry: resources, impact, and choices. The assessment is really quite simple–we document student action that has occurred over the unit. And herein lies the problem: student action. Students are not taking action because they don’t have enough conceptual understanding to appreciate a need to act. They literally do not see pollution-even if a coke bottle flew out of the sky and bonked them on the head, they wouldn’t notice. Oh, and if that same coke bottle then got buried in the ground, one of the students said it would sprout a Coke Tree. No, I’m not lying–this was an actual prediction during one of our engagements.

At first, this put me in a panic and I went in the wrong direction. I thought, oh my gosh, this future generation, they are either absolutely oblivious or litter and pollution (particularly in Asia) are so endemic that it’s like wallpaper and thus hardly take notice. So we began inquiring into endangered animals and the impact on habitats. We worked through key vocabulary and food chains. The kids put together wonderful ChatterPix presentations which summarized their library research on the animals. But during another provocation when I showed a picture of a turtle that had been deformed due to garbage in the water, I had 3 kids tell me that it looked like that because it was farting, clearly articulating (with a straight face) that gas can make you bloated and you feel bubbles are in your belly. I could see his thinking but I felt deeply concerned and it was at this point that our unit started to take a turn for the worse.

One of the Segel pictures that the students examined. They thought they were just “having a picnic at the beach.”

So then, to make a stronger link about humans and how we use resources, we explored the work of Gregg Segal,  which started as a provocation but since the students made no connection between the garbage and the people who were lying in it, we examined our “home” garbage and collected our classroom garbage, including snacks, for a week to analyze. I had also gotten one of our Secondary Art and Design teachers who is an avid photographer on board to help us orchestrate an attempt to do a photoshoot with our students in this garbage. It was going to be awesome, right?! –They were finally going to “get it” so we can move into learning about the 3 R’s–Reduce, Reuse and Recycle. Nope–the day before the photoshoot, our cleaners emptied our bins. Deflated, we decided that we would “follow the garbage”, trying to pull together this idea of how individual and collective choices can add up to make a difference in the burden that ecosystems might have to shoulder. So we went down to our school’s dump area and examined our rubbish. Next, we made a day of it and went down to the Vientiane Landfill.  Although they were absolutely disgusted by it, they had seemed unchanged.  This week we are going to meet people whose “choices” to care for our environment are having a  positive impact on our Vientiane community. We are still hopeful that a handful of them will be moved into action but I know now that it’s a foolhardy job to try to assess them on this central idea. We will have to create unit grades based on their academic skills in language and math that have been developed alongside these conceptual understandings.  

The moral of the learning debacle boils down to these things:

  • Doing a bunch of “cool stuff” is not as important to properly pre-assessing basic knowledge and skills. Sometimes we get so preoccupied with launching a unit with instant student engagement, that we forgo necessary assessment which can be documented and examined. I think in heavy science-based units, it’s important to probe into common misconceptions and vocabulary that may be misunderstood. I did some of it, but I missed some big ideas–simple stuff like living vs. non-living because I had assumed it had been “covered” in previous years.
  • Furthermore, provocations that reveal severe inadequacies in student knowledge means that the unit probably needed to be scrubbed and rewritten immediately instead of trudging through the painful experience of trying to get students to arrive at mastery and develop knowledge that is beyond their experience or developmental appropriateness is asinine.
  • And the third thing is that the sequence of units matters A LOT. In our case, we were asking that students take their knowledge and apply it by taking action. We should have had a How The World Works Unit beforehand that developed the key information and scientific principles to really appreciate the need to act. Our unit implied that kids should “reduce, reuse, recycle” without understanding why it’s important to do so.
  • Also, a unit whose central idea demands that students assimilate knowledge and then adapt it to behaviors needs to reconcile with the developmental stage that they are at. Most of the students are at the cognitive stage in which they are transitioning from concrete to abstract thinking and operational thought. This unit would have been better served when most, if not all the kids, were 7 years old because cognitively they would have understood the concept of conservation. This was a second term unit. It was too early in the school year to introduce these ideas.
  • And of course, the old PYP coordinator in me wondered why I didn’t go back into last year’s POI to see what scientific ideas that they had been exploring when I first saw warning signs. Although I had interviewed past teachers who did the unit, I should have dug deeper into the curriculum that my current classes had been working on in the past years. I needed to research my learners more. I would have seen the gaps and been able to re-route the unit sooner instead of “following the garbage”.

So, I would suggest that educators ask themselves a couple of important questions before embarking on units of inquiry in which student action should be the hallmark of successful learning outcomes:

  1. What previous knowledge and skills should we look for? What was their most recent learning (last grade level’s POI)? What conceptual understandings will students need to understand in order to really apply knowledge? (Go deep on Box #3 on the PYP planner)
  2. What misconceptions do you predict students may come with? How will we know if they have them?
  3. What is the age of the majority of the students? Will they have access cognitively to the concepts and related concepts in the units?
  4. What action is already taking place? What can we expect young children to be doing, feeling and thinking?

 

I can see now that words like “action” and “choices” are too subjective to be put into a central idea for this Sharing the Planet Theme. They are great in the lines of inquiry, but if you take the stance that you assess the central idea in your summative and formative assessments, then you are setting students up for failure. Although student action is the proof that real learning has occurred, this unit would have been better served with related concepts in the central idea. (Here is a great blog that demonstrates how units can be analyzed in this way.) With that in mind, I would suggest rewriting the unit to look like this, with the related concepts in bold:

Human interaction with living things can have consequences on the environment.

 

Although this unit is going to be seared into my mind and will haunt me all year, I will remember the lessons learned here when it comes to analyzing my grade level’s units of inquiry. Perhaps this will also help you to reflect and consider how your units are structured and be more critical in your understanding of your learners.

So I ask you, dear reader, what other suggestions would you make regarding this failure? What takeaways did you get from this? Please comment below.

#IMMOOC Wondering about “Shock vs. Awe”

#IMMOOC Wondering about “Shock vs. Awe”

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In our last planning retreat, we spent a lot of time discussing provocations so that students would develop a genuine appreciation and care for the blessed planet we live on instead of retreating indoors to their “screens” and engaging in a “virtual reality” that our digital lives seem to provide.  We pondered what was more important–to begin our Sharing the Planet unit enveloped in “shock” or in “awe” of different environments found on Earth. For example, do we show them all the ways in which human progress is devastating our ecosystems, destroying animal habitats and polluting our drinking water supplies-the shock? Or do we go out into nature, listen to birds and find “the cheap showiness of nature” that surrounds us every day?  Of course, it is debatable if just taking kids into nature will cultivate “awe”; is it a natural instinct or are this attitudes of wonderment and pleasant surprise something that we learn socially and is imbued by our cultures?  (Perhaps right now, you might be deliberating this idea as well. I know this idea will be a subtext in our reflections of this unit.)

Recently, in our Innovator’s Mindset’s Flipgrid, Becky McDowell related her experience with creating a culture of problem finders and problem solvers. A little light bulb went off in my head and made me consider this unit whose central idea is:

Our actions can make a difference to the environment we share.

Thinking about what Becky said, I felt it was important to evaluate whether or not students actually saw the problems with our actions and choices as humans. Through our pre-assessment and initial tuning in provocations, it became clear that students had a lot of “book knowledge” of the relationships that animals and plants have in the environment, but made little to no connection to how we contribute to the pollution that spoils life on earth. They literally did NOT see it. You can’t imagine the pangs in our chests when the students were indifferent. If they cannot FIND the problem, they cannot SOLVE the problem. This has become so problematic and disheartening, to say the least.

I always say that “if I do all the work, I do all the learning”. This is actually a reminder for me to stay aware that I need to make sure I don’t steal the children’s learning just by telling them information or how to do something. But there is something about the word “teacher” that implies a transfer of knowledge and skill, and the lack of student action has really made me question the very foundation of my “best practice”–how am I missing the mark with this unit,  a unit that seems more and more critical for our future generation to understand and act upon if there is to be any quality of life on our planet? We have applied every principle of SUCCESs to create “stickiness” of our central idea and yet, as we go into our final week, I keep wondering what we could have done differently.  We’ve done a wonderful job, I feel, of finding a balance between “shock” and “awe” in our unit, but the fruits of our effort have yet to be revealed. The jury is still out on this case.

As we go into the final week of our unit, I look forward to seeing how this unit might still come together. Children are always full of surprises, so I can’t do anything beyond anticipate that they will make connections, even if those connections might be different than I expected. I hope that, although I have been going through a bit of “shock” when it comes to their conceptual understandings, perhaps this unit will reveal the “awe” in how their thinking has changed and been developed.

 

Central Ideas: The Good, The Bad and The Messy. How the Primary Years Program Can Rethink and Define Them

Central Ideas: The Good, The Bad and The Messy. How the Primary Years Program Can Rethink and Define Them

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The Primary Years Program is a challenging curriculum. As you work in this framework, it forces you to put all of your educational values under the microscope and really analyze what you truly believe about how children learn best.  Often the ideas sound good on paper but can really be a struggle in practice, especially depending upon the constraints their school puts upon them with math and literacy programs. As a coordinator who works with new-to-IB staff, getting them to “drink the Kool-Aid” isn’t always an easy sell, especially at first because all the jargon overwhelms them. But I think that the first step to convincing new PYP teachers that this is the best approach to learning out there is the central idea. Well written central capture students interest and make for powerful inquiries.

So how do you know if your central ideas are “bad”?  Here’s the main clue: Your teachers say “huh, what does this mean?” when they look at it. I’ll share an example to clarify:

Natural materials are used to inspire and express ideas. (How We Express Ourselves)

This is bad for all sorts of reasons–it’s ambiguous yet narrow focus on “natural materials” and the words “inspire” and “express” seem to be subjective in this context. These are two things that jump out at you. But what did you say after reading this? Let me guess:  “huh, what does this mean?”    Yep, that’s the hallmark of a failed attempt at a central idea.

What about messy? Well, I love this handy-dandy guide to developing a central idea that I’m pretty sure ever PYP school references at some point in their review of their Programme of Inquiry (POI). It’s well-intentioned and tries to be thorough, but when you put pen to paper, you can really get some gobbly-gook.  This part, below, is what causes some major mumbo-jumbo in our fabrication of central ideas:

How do I know if I have written a good Central Idea?

 Did you include two or more concepts in your statement?

 Have you used an active, present-tense verb?

 Did you avoid using proper and personal nouns?

 Did you avoid the use of to be (is, are) and have verbs?

 Did you write a complete sentence

You couple this with the advice in the Developing a Transdisciplanary Programme of Inquiry, and you can really have some creative wordsmithing. I say this all respectfully, especially since the PYP is undergoing a big review at the moment, but put yourself in the shoes of a new IB educator.

developing a transdisciplanr
From the publication: Developing a Transdisciplanary Programme of Inquiry

It takes a sharp eye to see the delineation between the 2 versions and you got to remember that this is a central idea for a 1st grader/Primary 1 student–words like organization, endeavor, and enterprise take a week (at least) to unpack before you get to those 4 lines of inquiry. You can totally appreciate why new IB teachers are absolutely overwhelmed with the notion of writing or revising a central idea. Furthermore, you can understand why a candidate school would just copy a sample POI that is either posted on the Online Curriculum Centre or on another IB school’s website.  Just the other day I was having a coffee with a candidate’s school appointed PYP coordinator. At first, I didn’t quite understand her intention- her school’s POI looked fine, decent central ideas- but after an hour I came to understand that what she actually wanted me to help her with writing lesson plans for her teachers. Her teachers needed help with lesson planning because they personally hadn’t gone through the process, they had no skin in the game and definitely no understanding of what it means to do an “inquiry into…..”

But this goes back to the point I was making–a good central idea should generate more possibilities. If a teacher can’t look at a central idea and come up with a place to start, then the inquiry is going to get messy.  Just look at that central idea above: People create organizations that solve problems and support human endeavor. They will probably just fumble around for at least a week instead of hitting the ground running doing a bonafide inquiry because they can’t get past those words. The words–the ones that the summative task is supposed to be built around–is a major stumbling block, especially for a 1st-grade teacher. Let’s be honest, right?If the central idea is messy than it typically demands that we put a stake in the ground at some point and say, “ok kids, this is where you need to go with your inquiry–it’s nearly summative time!” I know IB understands these challenges, which is why it is painfully taking a knife to the PYP and rethinking how we can approach central ideas.

Let me give you another example from a 2nd-grade unit at our school:

The population of a community can determine the structure of its organizations within it.

When we wrote that central idea under How We Organize Ourselves theme, we followed the handy-dandy aforementioned guide. I’ve highlighted the concepts that we pulled out the IB Social Studies Scope and Sequence. The purpose of this unit was to help students start gaining an understanding of government and economics that was lacking in some of the future P4 and P5 units. The summative task is to have the students form a “city council” and create a community with a given population, using a budget to provide for its goods and services. So that was the intention of this wordy central idea. This year, when a new 2nd-grade teacher came in and looked and looked at this unit, her response to the central idea indicated that it was messy. In our last meeting, we discussed how well the kids, who LOVED this unit, understood the central idea. She said that she spent more time focusing on the lines of inquiry because of the wording of the central idea, but that ultimately yes they understood the relationship between population and community design. The fact that she circumvented the Central Idea is definitely a symptom of a messy central idea. So we thought about ditching all those big words and simplifying the central idea to reflect a more kid-accessible central idea:

People design communities to fit the needs of its population.  

(I think we have transformed it into a “good” central idea–or at least a better iteration.)

So, a perfect central idea isn’t so wordy and nebulous that you can’t find a place to start, nor creates an exhausting level of teacher content delivery or misguided student research. What do I mean about this? Look at this:

Signs and Symbols can be used to communicate messages through different media.

Screams transdisciplinary right?–Instantly specialists want to jump in and connect with the ideas of signs and symbols, and it’s an easy link with literacy, social studies, technology, and math. Not to mention that it’s got friendlier language so we can dive right into the inquiry. And assessment organically emerges, with the kids being able to contribute to what a summative task might look like. It’s interesting, it’s engaging and student action is prominent.

So let me summarize my definition of a “good” central idea:

  • Transdisciplinarity ( I don’t know if that’s a word, but it is now!) can happen organically.
  • It is easily understood by the teacher so they know how to start the inquiry.
  • The students can access its language.
  • A clear summative task naturally arises and students can provide input into how it can be assessed.
  • It connects students to concepts that will be needed in future units of inquiry.

Now, perhaps you share my opinion about central ideas or you may want to lambaste me. This is a hotly contested area between educators. Fair enough. But as a coordinator, I make a good stab at being knowledgeable and reflective, however, the only thing that I am certain of is my experience as an educator with this framework.  Perhaps your experience matches mine or maybe you think I’m speaking blasphemy–fantastic! Let’s debate! I’d love to hear your definitions–what are the attributes of a “good” central idea?

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